Source: The Guardian

Willem Dafoe Takes Center Stage at the Venice Theatre Biennale

Willem Dafoe, the acclaimed actor known for his intense and diverse performances, is set to return to his theatrical roots as the artistic director of the Venice Theatre Biennale. This prestigious festival, which he will lead during his two-year appointment, promises an exciting lineup focused on innovation and experimental art, highlighting Dafoe’s passion for the stage.

Returning to the Stage

During an intimate conversation in April, Dafoe reflected on his journey and the upcoming festival. He noted the significance of his role in the context of theatre, stating, “Theatre puts a finger in the wound.” This poetic description encapsulates his view of live performance as a visceral and transformative experience.

A Vision for Avant-Garde Theatre

The programme for this year’s festival, aptly titled “Theatre is Body. Body is Poetry,” emphasizes a selection of avant-garde and experimental works. Under Dafoe’s direction, the festival will feature:

• Unique interpretations of classic narratives, such as Pinocchio, presented by young actors with diverse abilities.
• The European premiere of Symphony of Rats by Richard Foreman, a renowned playwright and a friend of Dafoe.
• Additional works directed by luminaries like Thomas Ostermeier and Milo Rau.

Dafoe’s approach to the Biennale highlights his commitment to fostering dialogues in the theatre. He plans to combine traditional theatrical elements with modern interpretations and create an environment where “people talk about stuff, feeling that the theatre is alive.”

Acting Beyond the Screen

Although he is a celebrated film actor with numerous accolades, including four Academy Award nominations, Dafoe’s heart lies in the world of experimental theatre. He co-founded the Wooster Group in the late 1970s, a groundbreaking company that continues to influence contemporary theatre.

In his early career, Dafoe was known for his unique stage performances, often engaging in provocative and boundary-pushing art. He described a memorable moment from a past performance where he stood in the sea dressed as a nun, brandishing a fish, emphasizing the unpredictable nature of theatre that resembles the chaos of life itself.

Looking Ahead: A Theatre Renaissance

With the Venice Biennale approaching from May 31 to June 15, Dafoe’s vision is poised to breathe new life into the global theatre community. He acknowledges that the audience’s experience profoundly shapes the art, confirming, “What you’re seeing isn’t going to happen again.” This ephemeral nature of live performance is what he cherishes the most.

As Dafoe leads the festival, he carries a legacy of innovation from his experiences with the Wooster Group and a distinct desire to push creative boundaries. His recognition of the shared journey between performer and audience stands as a testament to his dedication to the craft and the future of theatre.

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Willem Dafoe, Venice Biennale, experimental theatre, Wooster Group, avant-garde, theatrical performances, Pinocchio, Thomas Ostermeier, Richard Foreman, theatre director